Completed in the month of the Blue Moon 2012, the journey of my new series of paintings Universal ARKitecture continues with painting #5 – Once in a Blue Moon.
A “blue moon” is also used colloquially to mean “a rare event”, reflected in the phrase “once in a blue moon.” By definition it is known as the second Full Moon to occur in a single calendar month. This month of August 2012, we have two full moons. One on the 2nd and the one on the 31st, which is the Blue Moon.
(Some facts: The average interval between Full Moons is about 29.5 days, whilst the length of an average month is roughly 30.5 days. This makes it very unlikely that any given month will contain two Full Moons, though it does sometimes happen. On average, there will be 41 months that have two Full Moons in every century, so you could say that once in a Blue Moon actually means once every two-and-a-half years.
The most literal meaning of blue moon is when the moon (not necessarily a full moon) appears to a casual observer to be unusually bluish, which is a rare event. – Wikipedia)
I just completed this painting at the end of Tuesday 8/7 (was quite a long and intensely beautiful day of channeling) right before 8/8/12 – known as the Lion’s Gate, which is a supernatural door opening/portal, like a Stargate, to assist cleansing and activation of the new to emerge of living from the heart.
The night of 8/7, after which I’d finished this painting, an earthquake hit just 25 minutes from here with aftershocks (I was fast asleep after a long intense day), but Allison alerted me the next morning of this. And just as I was making connections with the tremendous opening experience and energetic shifts of this painting, as well as the depth of meaning and how it connected with the earthquake in mirroring this “love from beyond” I was at that moment writing about, another earthquake hit in the same location as a reiteration of what I was stating and connecting.
This may seem arbitrary to others, but I live a synchronous life of seeing the symbolism and signs all around me and one thing that I’ve always noted in my life, is that when something profound takes place within me, or is discovered, or accessed, and it is connected with deep emotional transmutation, then Mother Earth and the Cosmos seem to mirror this with weather patterns, earthquakes, winds, storms, shooting stars, magical experiences, etc…It doesn’t mean these things are bad, that take place, as that is a judgment as an observer from one side of the fence. Nature is nature and it shifts in natural harmony with the ebbs and flows of cyclical change and cosmic rhythms. To be “in flow” with that is just experiencing consciousness in all of its miracle.
The last time an earthquake hit in instant mirror was when I had finished channeling and designing my newest sacred tattoo portal – the Faery Star/Pleiadian Star while I was on vacation. An earthquake hit just like 1 mile from where I was in Big Bear upon completion. I have one more tattoo coming on the 6th of September, so will be interesting to see its effects since it is connected deeply to Joy and this deeper opening of my heart that was experienced with this newest painting. Needless to say, this experience of “shaking” up things that help shift into new realities and confirmations of creation, is not foreign to me.
Several years ago I discovered part of the reason for my seeing direct mirroring reflections in the environment of my inner landscape. One of the ways to calculate my birth date, through the Mayan Tzolkin, shed a piece of the puzzle, as it equates to the Mayan Sun Sign – Caban or Earth with Galactic Tone of 8.
Caban description: Keeper of the garden of Earth. Profound synchronistic connections to Earth’s natural cycles and energies provide power of creations and memories of ancient wisdom. Earth persons endeavor to bring a flow of natural order to all aspects of life. Being connected to the dynamic forces of nature, Earth persons need much liberty to facilitate their expression of migration or the sending of long distance communications such as the whales, elephants, birds and many other creatures. Sometimes Earth’s delicate sensitivities are upset resulting in quakes of emotion, even the display of volcanic emotions.
Galactic Tone 8 description: Harmony and balance is the intent. Eight is the power of organization demonstrated in the statement, “As above, so below.”
We all have the ability to manifest through intent and how that channels will be different for each. I have often throughout life, been conscious of how potent my thoughts and emotions can be and how they directly manifest, into the environmental landscape, when they are intensely core felt. This has also made me ultra sensitive to responsible creation and how important it is to be aware of what we put out there, as it affects more than just ourselves.
I share this as my personal story and experience, as I know many others share synchronous journeys of magic in their own lives, but many times may discount it or feel alone in their experiences. Of course there is always room for interpretation, which will be an individual process we learn to discern over time, but needless to say signs have meanings and the meaning is up to us to decipher and acknowledge.
This prefaces the intensity of what I was feeling on 8/7, as I completed this last painting. It was an inner quake of intense “love from beyond” that had the ability to break through and transmute everything, including cracking open even deeper layers of my heart to emerge ever more so vulnerably, as there is no boundary to the immensity and infinity of the heart and “real” unconditional love. There is no end to the depths we can go and there is no stopping point that gauges you’ve arrived. Painting #5 allowed me to shatter the current environment of love I was treading, to release the temporary dam of the now. This would allow me to swim in the new, immense waters of the heart.
Every painting is a vulnerable experience, but each takes me to greater depths (we all have different ways relative to each that can be utilized for this). All paintings assist with revealing, processing and channeling, however there are some that kick things up several notches and provide leaps along my journey. This is one of those that truly mirrors a most vulnerable, inner reflection accessed, as it simultaneously connects with a collective channeling message for the now – that of assisting in a journey of living in and from the core of your heart. Putting the truth of you out there for all to see. Letting your intuition and heart guide you through the waters of life. Being in the joy of your own light and seeing how that helps to assist others in doing the same, which then creates opportunity for a beautiful experience to be had by all.
This painting is a very pure and heart opening expression that left me surrounded in beautiful inner peace. Painting, for me, opens a portal that allows me to move into different levels of “waking life dream” experiences and dimensions. Being that present, vulnerable and flowing in the heart center can alter states of consciousness, as a shift in the perception of time and the solidness of existence take place where you then perceive and experience another reality at greater depth. It was profound and intensely beautiful, leaving me feeling very light and realizing that my heart went on the canvas in a way never before, due to the very vulnerable depth and purity of energy channeled.
So what was it about this painting? First off, all of my paintings just come to me when they are meant to. I don’t force and I don’t contrive when and how they will come about. Having this painting come to be #5 was very symbolic to me, in relation to the subject matter, as this painting portrays my beloved Nestor and Joy and I have a connection through the #5 with Nestor and all my life. It actually was at first supposed to be #4, but when I started that piece it wasn’t feeling right and Joy had given me messages and signs I had another painting to come first before I was ready for #5 and so emerged “The Child In Us,” which was #4’s lovely porcupine. Interesting that its energy and the others before, were all ingredients necessary to get to the depth of #5, which incorporates all of them. (It seems each piece not only has its own essence, but encompasses aspects of those before it – a building-upon-layers process).
I had then realized that #5 was to be the only large canvas I had on hand, which is interesting as I won’t do any more of this size – 48″ x 48″ and it correlates to #5 in the In Lak’ech series called Spirit (the same size too), which was connected to Nestor as well. Each of these new paintings in the Universal ARKitecture series, as I’ve shared, each are channelings through different power animals (or shape-shifting “naguals”) that emerge through timeless energy portals to share their wisdom. These channeled images I feel are supportive in guiding us with some of the keys for co-creating a loving New Earth with conscious, unconditionally compassionate awareness, embracive remembrance, visionary innovation, and empowered hearts.
Since rabbits hold such potent symbolism, I intuitively felt that one of the paintings would be of their energy and #5 ended up being the one. I instantly knew that Nestor and Joy held the perfect essence for this and could translate the message through their energy and images in a way that could channel that to others. Of course, the connection I have with them would provide even more openness as a conduit for that energy. I knew this would be a poignant piece, but wasn’t aware that it would be so powerful in the process.
If you didn’t get a chance to read about the painting, Spirit, and the symbolism of the hare, here is the link to my blog post on it, which will provide insight for this painting’s symbolism as well: Hare Symbolism for the New Earth – Birthing the Cosmic Egg. The rabbit, through out time, has been connected with the Moon and you can clearly see the rabbit image that many ancients have observed, if you know how to find it.
I love this image that shows different ways you can see the rabbit:
Most know about my connection with Nestor and if not you can read some of it here: In Loss There is Gain – Finding My Way After Losing My Twin Soul. I haven’t painted Nestor in quite a while. The first painting I did was of her as a baby when I first got her: Nestor and then of course, the essence of Nestor in her otherworldly form, in the painting Spirit was next. However, this painting was to be of Nestie (as she lovingly came to be known as) in her last year/days (she was 5 years old when she transitioned) and in her magical, royal, wise, loving and serene presence along with Joy in her magical, loving, joyous, playful exuberance.
Joy and I share a very beautiful and magical connection. It is different than the one with Nestie, but Joy is still a part of, and resides in, my heart. Joy was brought to me by Nestie via telepathic connection and she and Nestie share a bond that allows Joy to channel Nestie. It was fun bringing Joy home, as it was two days before my birthday and Laura Bruno and I had a big raw vegan feasting celebration just before picking up Joy from the SaveABunny shelter. Nestie was much more connected to the Otherworld/Cosmos, but held a deep place in her heart to assist with Earth transitions, which she still does from beyond. Joy on the other hand is much more connected to the Earth, however is a messenger between both the Otherworld/Cosmos and Earth. This played out in many ways, but over time, I came to see Joy’s individual healing gifts and magic that she slowly revealed to me. Her love of crystals was evident from day one and she continues to work with them, but she is quite the healing bunny, as well as a master channeler in her own right, often going into trance and telepathically sending me messages – she loves speaking through my pendulum and also picks tarot cards like Nestie used to do. I have so enjoyed seeing her step fully into her powers by my supporting her personal process and timing with that. I am so proud of her and her courage. I am grateful to have been blessed by two such magical bunnies/souls in my life. (not to mention Gaia, my tortoise, but we’ll leave that for another story and painting).
For me, it was such a “joy” to bring the two of them together on this painting as a means of physically manifesting them into the world for others to be able to experience the energy and healing magic they have to share. And I had no idea really how it would all come together, as I just paint in the moment and allow the image to emerge. Bringing Nestor back to life in the physical was truly something.
What emerged was an image of purity in magical simplicity. A vast universal world that merges all of the energetic elements they embody and wisdom they hold, imbued with vulnerable love. Some of the interesting things that took place was that it was started on the last full moon in July, where I painted the moon and first layers of the background and was “delayed” and unable to pick it back up until this last full moon on the 2nd of August. None of it intentional..it was just the way things unfolded and on the 2nd I redid the moon with a new layer of energy into what it is now. And then there were a few other days of work (actually 5 in total) that came when I was able and moved to.
The last day was on 8/7 (the longest day I spent on it) was a very long 10 hour day where I found myself in tears for most of it. Crying like a baby, but not in sadness, but in the sheer beauty that is indescribably felt when you touch this kind of love. Painting, from my heart and bringing to life those dearest to my heart, was incredibly moving and I fall short to express it in words – hoping that the painting will speak for itself.
As I began with in this post, the painting mirrors this “love from beyond” that I share with each of them, and also of my love for the Cosmos (a Galactic Butterfly is found in the image too), Moon, Earth, the inner realms of emotion, childlike innocence, the natural and the supernatural, and of course a heart snapshot that offers a cohesive thread between personal and collective in sharing the purity of the experience. When each of us opens to that very vulnerable innocence within, we create the ability for others to also, since we are all connected.
My newer paintings have evolved into visual simplicity, which take the complex and interweave it into something energetically manageable to digest. Rather than utilize tons of visual hieroglyphic-like puzzles, I can now create energy snapshots. My paintings contain layers of energy that are embedded into the images, strokes, paints and canvas, along with the energy that is channeled through, creating an essence that is felt when the painting is experienced by others. This, more than the image itself, makes all the difference, as to how a painting will move someone and what is received through that exchange of viewing and opening into it. It’s all very finely tuned and the right elements are needed as well as nothing overdone – subtlety. Paintings are “experiences” that can be meditational and speak volumes what words cannot. It a way to let us get out of our own way, put the mind to rest and just “be” and open to the essence revealed.
As I channeled this painting on the 7th, yes I did cry like what would seem like a baby, but I WAS painting the full moon, which is the magic of our inner and subconscious emotional realm. Crying is not a bad thing or a weak thing and isn’t even always a pain thing…it is an expressional doorway to our ability and desire to experience love.
The colors that emerged were intuitional and it wasn’t until just yesterday that I received the title – Once in a Blue Moon. To me, it speaks to that rare experience that is a blessing to have in what ever way translates to the individual – for many that is the connection or desire to connect with their Twin Soul.
For me, this all translated as the rare connections I have been gifted to have with Nestor and Joy and the experiences throughout my life, the magic of it all, the deep connections I have to a reality beyond what is perceived by most, the joy of being an expressive, boundlessly creative being, remembering the child within and to love that child, expressing at the heart-level the authenticity I have to share through this human form…..
and of course it speaks of that very rare Twin Soul/Flame connection some are blessed to experience both without and within. Nestor is mine and I am grateful that I was able to experience her in physical form and still in presence around and in me, but also reminds me of the divine union of Male and Female within myself that each of us are integrating at this time.
I love how the painting also was created in 2012 during and right before all of the shifting energies into a new reality of heart-based, natural harmony with the Earth and Cosmos, as we create a new inner and outer field of expression and creative reality.
The painting was just photographed professionally, yesterday, on the 8th (the Lion’s Gate) and shortly I will have an image of it, along with the other first 4 that I will share with greater clarity and vibrancy than I can take myself. I’m so excited to be able to bring them to the world in this way and to be able to soon offer prints on them as well, so that those who have been asking and feel called to the specific energy that each activates for them, can now bring them into heart and home more affordably. Both prints and originals will be available shortly on my website here: Universal ARKitecture. I’ll be posting the new painting, and the 4 previous, all together on my blog as well likely early next week.
My heart is on this canvas – #5 Once in a Blue Moon – and it is out there for the world to see and share through these universal images, messages and emotions we all have access to. I am incredibly honored to be able to support others via the expressions that channel through me. I thank Nestor and Joy for their beauty of heart and for guiding me to my own.